Pidgin & English

Pidgin & English

BNXN

Sincerely, Benson · 2023-10-04

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Lyrics

I got my issues, I admit that

You got some things that hold you back

But we are acting like we’re children

Looking to blame for what we lack

Before we lose everything, we have tomorrow

Can we forget what went wrong yesterday, darling?

And I’m in the streets, I thought I could be discreet

But I messed up something sweet

Just what I need is some time to tell you, please

I’m on my knees, this was never meant to be

I did rubbish, and it is just what it is

With a heart that’s full of needs, and my lungs that barely breathe

You’re what I need, I admit it, I admit

No one could ever love me better than you did

No one could ever love me better than you did

One could have thought that this feeling would cease

But then, I miss you laying in my sheets

Shey you no see as my heart e dey bleed?

I don’t wanna lose you to what I did

And for your heart, I place the highest bid

Gimme an offer, I just can’t resist

Na for Pidgin and English I dey speak

You know I ain’t speaking Japanese

I got my issues, I admit that

You got some things that hold you back

But we are acting like we’re children

Looking to blame for what we lack

Before we lose everything, we have tomorrow

Can we forget what went wrong yesterday, darling?

It’s my fault and I blame me, I don’t blame the alcohol

I really should have known better, wasn’t thinking at all

Maybe with my penis, but not with my brain, and I know

This was off the limits, now, I gotta watch as you go

It’s the apology I couldn’t say to you, I know

If I could take back what I did, I would do it for sure

If I could get you the world, I would do it for you

It’s loyalty you deserve, I’ma give it to you

One could have thought that this feeling would cease

But then, I miss you laying in my sheets

Shey you no see as my heart e dey bleed?

I don’t wanna lose you to what I did

And for your heart, I place the highest bid

Gimme an offer, I just can’t resist

Na for Pidgin and English I dey speak

You know I ain’t speaking Japanese

I got my issues, I admit that

You got some things that hold you back

But we are acting like we’re children

Looking to blame for what we lack

Before we lose everything, we have tomorrow

Can we forget what went wrong yesterday, darling?

Song Meaning & Explanation

Pidgin & English — BNXN's Bruised, Beautiful Confession

Some apologies arrive polished; this one arrives limping, and that's exactly why it lands. BNXN builds Pidgin & English around a man too honest to dress up his failure, and the song's power comes from that refusal to flinch.

The structure mirrors real reconciliation — accusation giving way to accountability. He opens defensively, pairing "I got my issues" with "you got some things," as if guilt might be split evenly. But the song's emotional turn is its best moment: he drops the deflection and owns it outright, admitting he blames himself, not the alcohol, conceding he "wasn't thinking at all." That line about thinking with the wrong organ is crude, sure, but it's also disarmingly true to how these mistakes actually happen — impulsive, thoughtless, human.

Where the song earns its gospel-adjacent soul is in the language of devotion that follows the confession. "On my knees" reads as both romantic surrender and something closer to prayer — repentance staged like worship, begging not a god but a woman for grace. The title phrase itself becomes the song's cleverest metaphor: code-switching between Pidgin and English as a stand-in for emotional translation, insisting his remorse is legible in any tongue, that there's no ambiguity left in what he's saying.

Physically, the writing is vivid where it needs to be — "laying in my sheets," a bleeding heart rendered in Pidgin's blunt poetry ("my heart e dey bleed"), a "highest bid" for her forgiveness. That auction imagery is a smart touch, framing love as something he must actively out-bid his own failure to win back.

The chorus, though, repeats past the point of tension, and the hook could use one more twist to justify its return. Still, as heartbreak-gospel goes, this is lived-in, unguarded songwriting.

7.5/10

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Music metadata and artwork supplied through Spotify. View this track on Spotify.

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